Her chemistry with Fassbender is palpable. Winslett also makes her mark very early on, nailing an accent and vanishing into the part of Johanna. His condescension is so real that we snarl at it. He looks nothing like Jobs himself did but he perfectly captures the frustrating ego that everyone loathed and matches it with high spirit and a bit of humour. On the film's highlights - Fassbender leaps off the screen in the first two minutes and never lets go. There's all the things to love about Aaron Sorkin's writing and the acting is terrific, but Sorkin's screenplay lacks the enjoyable bite of his previous efforts and the whole thing comes off rather lacklustre.
Steve Jobs fails to explode off the screen like The Social Network or Charlie Wilson's War did.
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